Tuesday, November 3, 2009

Final Design Item :: The A2 Poster

This is a first draft of the poster...
The composition is based on the fold-ability of the poster down into a pocket which would hold a CD.
I also wanted to be a bit playful with the poster, and it not be such a standard architectural representation of the final design and its process.

3D Views from the Site Model




Here are three 3d views taken from the Autodesk Revit Architecture model...

Random Development Sketches



Here are some early sketches to try and discover some form to the huts and buildings on site. there is also a couple of quick drawings for how the theatre came about. it started at looking at the palm leaf and how the fronds span outwards creating a canopy.

The Amphitheatre - constructed

With the Amphitheatre i am invisioning the base and steps/tracks to be constructed as a perminant instillation of concrete. the columns made from Steel CHS columns with two handles at waist high for ease of lifting and moving by two people, and the truss as lightweight steel connected to a rotating collar fixed to the tops of the columns as indicated here...
Here is an early sketch to work out how high and which direction the trusses were going to run over the stage...
Here are some images from the scale model at 1:50, constructed from laser cutting 3mm mdf, 3mm perspex and 2mm cardboard sheets. the columns were made from 3mm diametre steel rods, cut and grinded to size. the trusses are from the perspex laser cut and fixed using a flexible clear double sided tape...

The people are also laser cut from the same sheets to scale...

the holes in the steps are the placement spaces for the columns to sit into depending on the theatre's configuration.

The Beacons

there are 13 districts in East Timor, and being such a proud cultural country, it would be great to allow each of the districts a chance to ceremonially activate a space in the site with a beacon or totem.
here are a couple of sketches for how they might look...


these were more like a flag concept with the possibility of photo voltaic panels to power lighting.
However, i though it better to showcase a district Tais...
and here is a collage rendered version...
Simple construction from Bamboo poles and a reinforced or laminated timber panel for the headpiece with a Tais hung below. I see the approximate size as being 5 metres tall and 1.6 metres across


Connections

Having started with the ICU joint in a previous blog to try to create a nail-less join for timber or steel beams and posts for simple construction, i thought about the implications for spending a vast amount of money on developing the joints for use in East Timor. It seemed a little excessive to spend the money on such a joint when money could be saved on a simpler system which would allow the funds to be aligned to other areas of construction.
Besides this, there was a fundamental flaw in the ICU joint. It didn't lock down completely as one plane could still come apart if forces pushed that way.
initially i said for the joint to be placed with the first part down to enable gravity to act as the bind, but if in the case of an earthquake or similar force from a strike and the joint was to shift against gravity, the joint would lift off and possibly come apart.
so...
where next?
i then experimented with the idea of joining bamboo...
this joint would seem to work, but would be limited to light weight construction and only to two planes.
so, i then thought about creating a rigid steel connection that could be used for timber and bamboo (although drilling a hole in bamboo is likely to weaken it and make it perceptible to splitting under lateral forces.
here is the sketch...
this looks effective for the type of easy construction needed for the Dili site. it would also be versatile in its dis-assembly also.
Here is a CAD version...
these could be made with any/all combinations for ease of construction.
The wall system of sliding panels (from previous blog) into timber beans could be implemented with this allowing for a simple curtain walling system to be used.
these connections have been designed with a 90mm x 90mm aperture in each connector. if smaller sized timbers were available only, either a chock could be used to wedge in the beam of another set of smaller collars could be developed to slide into the aperture to minimise the hole.
Here is an image of how the panels could be used within the curtain wall...


Saturday, October 17, 2009

Roman Amphitheatres




For some reason, i am being drawn to the ancient Amphitheaters from the Roman empire. They were strong, elegant, pure, dramatic and purposeful. Could the stage set up for Lulik be somewhat influenced by these timeless icons?

String Art


the reason i am researching string art and the Bezier curve is because the form created by overlapping straight line elements can be very expressive and could be used as a canopy element for a structure...or the structure itself could become the canopy and have many possible outcomes of form, depending on the configuration.


The Mathematics of String Art:

A Tribute to Pierre Bezier (1910-1999)

Pierre Bezier at a confrence on Computer Aided Geometric Design, an obscure branch of mathematics that created most of the algorithms used in every drawing program from AutoCAD to 3D Studio Max, gave a lecture on how he came up with the Bezier Curve, the thing that made him famous among computer graphic junkies.

The story of the Bezier curve was an unusual one in the history of applied mathematics. Most of the time when you find a real world problem needing a mathematical answer, you just find the math you need and apply it. Such is the case with Einstein's General Relativity and Riemann's Non-Euclidean Geometry discovered a century earlier.

Bezier worked as an engineer for a french automaker. To satisfy the needs of manufacturing, they needed a way of describing a curve exactly at every point. In those days, engineers sitting at drafting tables would would mark a starting point and an ending point of the curve they wanted, then pulled out a french curve and drew an approximate best-fit curve.

At the machine shop level, these best fit approximations were not good enough. In order for pieces to fit together the parts could only vary within certain tolerances, many of these approximate curves were outside the tolerances. By 1960, hardware became available that allowed the machining of 3D shapes out of blocks of wood or steel, known today as CAM or Computer Aided Manufacturing. Computer graphics was still in its infancy at the time, so designing a method of describing any curve you wanted was of utmost importance.

Bezier had to come up with a method of describing a best fit curve that would be easy to use and exact enough to meet the demands of manufacturing. Unfortunately, no mathematics existed at the time to do the job adequately(1). After numerous schemes, he came up with a method of describing any 2nd degree curve using only four points.

The method is rather simple. He starts by describing a curve inside a cube (the figure below to the left) using a parametric equation equal to the graph of y = x2. Then by transforming the cube into any kind of parallelepiped (below to the right), the curve will change as well. The four control points are the vertices of an imaginary parallelepiped. In the illustrations, points a and d represent the starting and ending points. Points b and c determine the curves depth and orientation. The slope of line ab is the starting slope of the curve, the slope of cd is the ending slope. Bezier's mathematical representation can be expanded to more than four control points to create curves of higher degrees, but for most uses four is enough.

For the real math junkies out there, the parametric function for Bezier Curve bn(t), where point A is b0, B is b1, etc. and n is the number of points - 1 is:

2nd degree Bezier Curves can be lined up one after another to create all kinds of shapes in two dimensions. But, what was really important to auto manufacturing was describing a whole piece in 3 dimensions. Putting four curves together in a square shape creates a bezier surface with 12 vertices, and creating tiles of these surfacescan create any three dimensional shape you can imagine.

In today's computer aided world, the applications are numerous. Not just in obvious applications like computer graphics and animation (animation often uses bezier curves applied to the fourth dimension to describe smooth motion), but also in robot controlled manufacturing. The Bezier Curve changed the world.

The Bezier Curve Easily Simplified


For you non-math savvy people out there, let me explain the math of the Bezier curve as easily as possible. We will use the most simplified case: a curve from three coordinate points. Think about "String Art". Start with three arbitrary points, A, B, and C. Draw a line AB and divide it evenly into 10 (or so) parts. Draw another line from B to C and divide it into 10 parts as well. Draw a line from A to B. Draw another from the point next to A to the point next to B. Continue until you go from B to C. The curve created is a close approximation of a Bezier Curve using three points. You could say Bezier created a method of describing the mathematics of String Art.


1. At least two mathematicians solved the problem before Bezier: Airplane designer James Ferguson, and engineer Paul de Casteljau who worked for Citroen. The latter's work is mathematically equivalent to Bezier, in fact the formula listed above is De Casteljau's. Unfortunately, their discoveries were closely guarded industrial secrets and were not published until after Bezier.
http://members.cox.net/mathmistakes/bezier.htm

Some images of String Art.








Thursday, October 15, 2009

Stage Study




This is a study on the circumnavigation of structural elements on a 500mm grid line up to 13m in radius.
The green zone is the area possible for the stage structure to sit without hindering the movement of the back line structures that have the ability to be moved in their individual arcs around the stage area to create everything from a wide open avenue to the stage or could enclose to create an intimate space for very small performances or speeches.

The Stage in Open Mode

The Stage in Intimate Mode

The Stage in Pack-Away Mode

The stage with it's Radii

Graphical Analysis of East Timor

The Following are percentage breakdowns of the population, population density, area and how many households are in each of the 13 districts of East Timor.


Series 1 = Population Density
Series 2 = Population
Series 3 = Households
Series 4 = Area

Fast Footings



A major part of pre-fabrication construction is versatility and deconstructability - the ability to be able to erect a structure and dis-assemble it for re-use on another location in a possible reconfigured state.
Here is a footing system that is extremely versatile and would enable such dis-assembly with ease, leaving very little evidence behind that it once existed in that space.
There is no concrete, no site preparation, no excavation, no holes, no mess and no heavy machinery involved.

MEGA ANCHOR Foundation Systems are an Australian Product and has full supply and installation capabilities across Australia and could be implemented as a new system abroad in East Timor with a little training and technical guidance.

How it's done.

First step is to complete 90∞ set-out at the site, install “hurdles”, specify building lines and provide datum for finished floor height.
The second step is to string the building area to determine the location of posts specified on the foundation plan;
Position Mega Anchor mainframes in the correct locations;
and For each foundation location:
Select appropriate orientation of mainframe for best appearance (may dig in on outside rows) and clearance for sub-floor plinths;
Use Installation Guide to align mainframe horizontally and vertically; Drive piles of (at least) specified length – 3 for each mainframe – into the ground using an electric jackhammer with special driver head. Maintain vertical and horizontal alignment and ensure required frictional resistance achieved (note: installation into rock requires specialised equipment);
and, Remove installation guide and drive mainframe down to screw mainframe and lock with piles. Fix mainframe to piles with self-drilling Tec screws to form an integrated foundation unit.
The next step is for the installation of the risers and saddles.
Interpret plans to determine height/s of saddles relative to specified finished floor height/s;
Select diameter/s of riser appropriate for height/s;
Set up level; and,
For each post:
Use level to determine length of riser;
Cut riser to length, attach saddle, install to height with laser level accuracy and align with bearer run; and
Fix saddle to riser and riser to mainframe with specified number of Tec screws. Note: Variations on the standard system can be made available to suit non-standard posts.
The final stage is to add bracing.
Interpret plans to determine extent of bracing required (as required for height and loading);
Measure and cut each brace to length;
Prepare each brace for fixing; and,
Fix bracing to riser/riser cap/bearer in accordance with bracing plan with Tec screws.

Now the building platform is ready for further construction of walls and the roof structure.

MEGA ANCHOR can be supplied and installed by:
CV-Substructures in Queensland


Monday, October 12, 2009

Explorations in cardboard






Using band sawed slices of hardened cardboard from packaging and deliveries to form rigid structures as an exploration in scale and form.
The outcome plays with repetition and versatility to experiment with passageways.
These explorations were done fast so as to harness a spontaneous form.